Extract
& Reference

Info


Anders Kjær, Ny musikk, musikken i samfunnet , Norlyd '71
Jean Dewasne - Henie-Onstad kunstsente, 1977
Bjørn Aronsen, Jakten, 1959
Galerija Suvremene Umjetnosti Zagreb,  Mihajlo Arsovski, 1970
Egil Storeide, Mardøla Blues, 1970
Maciej Urbaniec, 1980
Ikko Tanaka: Discovery of Kabuki, 1974
Ikko Tanaka, Chairs and Legends, 1974
Kurt Weidermann, Der Druckspiegel, 12, December 1962 
Cover Art: Jerzy Jaworowski, Projekt 101, 1974
Geoff White, The Architectural Review Vol CLXIII, 976, 1978
Terje Roalkvam, NY Musikk Konsert, 1978
Typographie 50, Emil Ruder 1960
Fact 244, The Durutti Column ‘Vini Rielly’ LP Factory Records 1988
Und Dann Kam Das Ende, Hans Hillmann, 1962 Constantin Film 
Horacio Añón, 1970
Hermenegildo Sabat (N/A)
Hans Hillmann, I Vitelloni Plakat, 1953
Bruno Oldani, Konserter Norges Musikkhøgskole Februar, 1984
Hans Hillmann, Das Letzte Wochenende, 1960
Museumjournaal, Serie 11 no 7, 1966.  Jurriaan Schrofer
Per Krohg, Schou's Pilsener, 1921
Elaine Lustig Cohen, Black Pilaster XIII, 1980
Bruno Oldani, Konserter Norges Musikkhøgskole januar,  1984
 Wim Crouwel, RemcoCampert, ‘De letter … n’, DrukkerijW.C.denOuden, 1966
Richard Paul Lohse, Neun Kwadrate Netherlands, 1978
Projekt 48, 3, 1965, Stanisław Dawski
Yoshio Hayakawa, Idea 014, 1955
Ty I Ja, No.8 (88), 1967
New Order, New York, 1986, First Edition  Lawrence Wiener
Emil Ruder and Robert Büchler, Typographie 50, 1960
Takenobu Igarashi, Zanders Up to Date, late 1980’s
Elaine Lustig Cohen, MoMA Greeting Card, The Museum of Modern Art, 1975
Elaine Lustig Cophen, A Program for the New Whitney Museum of American Art, 1964
Hans Hillmann, Le Gai Savoir, 1969
Circular 03, 1994, Domenic Lippa
8vo, Octavo 87.3, 1987
Egil Storeide, Fiskarbonden, 1971
Terje Roalkvam, Plakat, 1974
Karel Martens, OASE 53, 2000